Fifteen ways to print
one cup.

The lockup, centred, and nothing else. The drink is the graphic; the cup only signs it.

Ink floods the whole body so the cup reads as solid black. Everything else is knocked back out to clear.

A solid band under the rim carries the name; the body below stays clear so the drink still shows.

The lockup turned on its side and run up the cup like a spine. Leaves the entire face open.

The ellipse from the mark blown up far past the cup, so only an arc crosses it. Confident, and almost no ink.

The ellipse repeated outward in hairlines, interrupted where the name sits. A system rather than an ornament.

A short line of serif type doing the talking, mark held small above it. The most editorial of the set.

A stamp: the mark inside a double hairline ring with the wording set around it. Holds up at any size, on anything.

The ellipse tiled small across the whole cup, opened up in the middle for the name. Texture at arm's length, brand up close.

The sparkle motif you already use, but placed on a grid instead of scattered, and cut back to three weights.

Laid out like a lab label. Small monospaced type on ruled rows, with room to change the batch every week.

One clean horizontal line: clear above, solid below. The cup looks dipped, and the name sits inside the ink.

Supporting words curved to follow the rim and the base, with the mark held flat between them. Built for a round object.

A solid white ellipse with the name cut out of it, so the drink itself fills the letters. One ink reading as two.

Two ruled bands of repeating text running right around the cup, so the name is legible whichever way it is set down.